A dining room of one’s own: The Bloomsbury Group's heady relationship with food | Gender and art | Scoop.it

"It’s unclear whether it was Michael Holroyd’s biography of Lytton Strachey or Quentin Bell’s life of his aunt Virginia Woolf or the rise of the women’s movement that sparked off the vogue for the Bloomsbury Group in the early 1970s, but the spark soon became a blaze. In the last quarter of the 20th century, the Group that had done so much to change, and scandalise, the first quarter became a publishing phenomenon: titles such as Edwardian Bloomsbury, Georgian Bloomsbury, Bloomsbury: A House of Lions, Bloomsbury Rooms and The Loving Friends: A Portrait of Bloomsbury were joined by biographies of all the participants, films about Virginia Woolf and Dora Carrington, exhibitions of paintings by Duncan Grant and Vanessa Bell, memoirs of the Woolfs’ publishing house, the Hogarth Press… You’d have thought that, by the 2010s, every drop of interest had been wrung from the subject."


‘The Bloomsbury Cookbook: Recipes for Life, Love and Art’ by Jans Ondaatje Rolls (Thames & Hudson).