Gender and art
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Gender and art
On women artists, feminist art and gender issues in art (for related news items see also scoop 'ART AND GENDER')
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Dispelling orientalism’s false depiction of Arab women | WoMen Dialogue

Dispelling orientalism’s false depiction of Arab women | WoMen Dialogue | Gender and art | Scoop.it

"When in 2009 the Louvre museum in Paris opened its doors to the exhibition Ingres et les Modernes – a major show of works by more than 300 artists, all paying homage to Jean-August-Dominique Ingres’s 1814 oil painting Grande Odalisque – there was one image in particular that attracted attention. This was a photograph that people queued in their droves to see, and was later purchased by the Louvre for its permanent collection.   

 

The photograph – entitled Grande Odalisque 2 – was taken by the Moroccan-born artist Lalla Essaydi, who today resides and works in the USA. Instead of the naked woman, as depicted in Ingres’s original work, the woman in Essaydi’s version is fully clothed and looks determinedly out at the viewer with an air of superiority rather than an air of enticement."

 

Caroline Claeys's insight:

Visit Lalla Essaydi's website

http://lallaessaydi.com/1.html

 

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Q&A: Lalla Essaydi Challenges Muslim, Gender Stereotypes at Museum of African Art | Art Beat: PBS NewsHour

Q&A: Lalla Essaydi Challenges Muslim, Gender Stereotypes at Museum of African Art | Art Beat: PBS NewsHour | Gender and art | Scoop.it
Known for her large format photographs, Lalla Essaydi's work combines Islamic calligraphy and representations of the female body, focusing on the interconnection of faith, culture and gender and challenging notions within all three.
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ArtAsiaPacific: Writing Women Interview With Lalla Essaydi

ArtAsiaPacific: Writing Women Interview With Lalla Essaydi | Gender and art | Scoop.it

"Boundaries, now on view at Amelia Johnson Contemporary in Hong Kong, is Moroccan-born artist Lalla Essaydi’s first solo exhibition in Asia. The large-scale photographs feature women covered head-to-toe with Arabic calligraphy, standing or lounging in the settings of 19th century Orientalist paintings."

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