“Oh, shut up!” Elaine Stritch yells at a playback of herself singing “The Ladies Who Lunch,” captured by the filmmaker D. A. Pennebaker in “Company: Original Cast Album” (1970).
The 2011 Lincoln Center staged concert production of Stephen Sondheim’s Company, starring Neil Patrick Harris as Bobby and featuring an all-star cast from Patti LuPone and Martha Plimpton to Stephen Colbert and Jon Cryer. And Christina Hendricks in a stewardess uniform. Let me repeat that last bit.
HIGHLAND – Stephen Sondheim’s musicals are complex and unusual. Those who expect a conventional love story, a light-hearted comedy, or a traditional dramatic tragedy will be surprised by any Sondheim work, including Company, the 1970 musical presented by Equinox at the Bug Theatre. Company is not so much a story as a collection of vignettes about an aging single man in his thirties, his married friends, and three women who just might be potential wives. The show ridicules marriage and the romantic myths and clichés surrounding it, but it also touches on the loneliness of being single.
Equinox Theatre Company has announced Stephen Sondheim's Company: The Musical. Performances will be tonight, June 27 through July 19 on Friday and Saturday evenings at 7:30 PM. Plus one industry night on Thursday, July 10. Tickets are $20 in advance or $25 at the door, group rates available for groups of 6 or more. Performances will be at The Bug Theatre: 3654 Navajo Street in Denver and tickets are available online at www.EquinoxTheatreDenver.com
It's Bobby's 35th birthday and he's still single, unable to commit to much of anything at all in Stephen Sondheim's Tony-winning musical comedy 'Company'.
Virtually redefining what a musical could be and how it could dramatically function, Stephen Sondheim and George Furth's fiercely idiosyncratic musical comedy COMPANY coined the term "concept musical" and still startles in its unique style, structure and utilization of song. Characters commenting on the action in between playing dramatic scenes had been seen before - perhaps most famously in the Weimar theatre of Kurt Weill and Bertolt Brecht - but COMPANY made it fresh, new and completely contemporary not only in its style, but the attitude and sounds of the night, as well. Featuring bristling yet absorbing orchestrations by Jonathan Tunick, the score positively popped as originally heard at the Alvin Theatre, as did the astounding original production as directed by Hal Prince and choreographed by Michael Bennett. A true blue American original, COMPANY changed the game inextricably and took home many Tony Awards for its highly esteemed, incredibly noble efforts.
comp"This is big for us, because we don't often do musicals like this. This is a real-deal, full-blown, five-alarm, pull-out-the-stops musical," director James Furney said.
That's the question to be answered in the Moonbox Production of the Stephen Sondheim musical “Company,” now through March 1 at the Roberts Theatre in the Calderwood Pavilion of the Boston Center for the Arts.
Stephen Sondheim in The Greene Space! WQXR celebrates the beloved American composer and lyricist, just in time for the Classic Stage Company's New York revival of his and James Lapine's 1994 Tony Award-winning musical, "Passion."
Moonbox Productions presents COMPANY, Stephen Sondheim's Tony Award-winning endearing musical about a modern man's journey through friendship, dating, commitment and marriage. Featuring music and lyrics by Stephen Sondheim, book by George Furth, and orchestrations byJonathan Tunick, the production runs February 7-March 1, 2014 at the Nancy and Edward Roberts Studio Theatre, Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street, Boston's South End. Performances are Thursdays at 7:30pm, Fridays at 8pm, Saturdays at 2pm and 8pm and Sundays at 2pm. Tickets are $40-$45 and available through Boston Theatre Scene Box Office, (www.bostontheatrescene.com) or call BTS box office at 617-933-8600.
It's season 97 for Bay City Players, and they are celebrating with a performance of the musical comedy "Company" in a brand new setting. The show hits the stage at 8 p.m. Oct. 9-11 and Oct. 16-18, and 3 p.m. Oct. 12 and Oct. 19. Tickets are $22 for adults, $20 for senior citizens and $18 for students.
When Company was first shown at the 1970 New York Film Festival, it caused considerable stir. A police riot squad had to be summoned to quell the outraged turnaways unable to get into the theater. The film documented the grueling 18 1/2 hour recording session for Stephen Sondheim’s new musical “Company,” which had recently opened on Broadway. It included Elaine Stritch’s show-stopping “Ladies Who Lunch” and became the sensation of the festival even though it was only 52 minutes long and intended for television. It seemed for an instant that it could be released successfully in theaters. Columbia Pictures was even interested. But the legal problems were considerable, and eventually Company had its television run in the U.S. and in Great Britain, and then as usually happens, disappeared from view.
There were Piper Laurie and Julianne Moore on the big screen, and Barbara Cook, Betty Buckley and Marin Mazzie in earlier productions of the stage musical.
When Stephen Sondheim and George Furth launched COMPANY on the world in 1970, it was something new and unexpected, essentially the first of the non-linear musicals told in vignettes, thoughts, and flashbacks. It was also the source of a number of songs that are now standards for the best Broadway concerts, cabarets, and Great American Songbook events, including "Another Hundred People," "Getting Married Today," "Marry Me a Little," and the whiskey-voiced woman singer's gem, first done by Elaine Stritch - who's still doing it - and now by every singer with the voice for it, "The Ladies Who Lunch," one of the finest pieces of vitriol ever to grace the stage, and still relevant even with 1960's social references.
Meet Bobby: always the best man, but never the groom. Centring around his 35th birthday, Bobby journeys through life along the path of self-discovery, with a... (OPENING NIGHT!!!
Both the Hollywood Reporterand Broadway.comhave confirmed that Sondheim and collaborator Tony-winning director John Tiffany are transforming the show’s central character, Bobby, into an open homosexual.
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