Transmedia: Storytelling for the Digital Age
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Transmedia: Storytelling for the Digital Age
a look at the creative and technical worlds of immersive storytelling
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Hollywood Has a Big Millennial Problem

Hollywood Has a Big Millennial Problem | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:

 

Derek Thompson:  "The problem for Hollywood isn’t that audiences are ignoring sequels. The problem for Hollywood is that audiences are ignoring everything that isn’t a sequel, adaptation, or reboot. The market for films based on stories that aren’t already famous is threadbare. These sort of stories exist in entertainment, but consumers, and particularly young consumers, are looking for them outside of darkened theaters."

Jules Johnson's curator insight, September 7, 2021 5:05 PM

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The Lesson Hollywood Should Take Away From Deadpool And Fantastic Four

The Lesson Hollywood Should Take Away From Deadpool And Fantastic Four | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:

 

Dan Wickline:  "The reason that Deadpool worked is the exact same reason why the Fantastic Four didn’t. It’s all about respecting the source material" ...

Jennifer Ussi's curator insight, March 9, 2016 11:05 PM

 

Dan Wickline:  "The reason that Deadpool worked is the exact same reason why the Fantastic Four didn’t. It’s all about respecting the source material" ...

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Know Your Audience: How Studios Failed at the First Rule of Storytelling in 2015

Know Your Audience: How Studios Failed at the First Rule of Storytelling in 2015 | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:


Alisha Grauso:  "Hollywood studios failed big in 2015 because they didn't follow a defining principle of storytelling: Know Your Audience."

Nathan Schultz's curator insight, November 25, 2015 4:50 PM

 

An entertaining opinion piece, author Alisha Grauso explains that one of the reasons why so many of the movies that were made in 2015 were box office disasters was because filmmakers did not pay enough attention to what audience members wanted to see.  

 

The Steve Jobs movie, for example.  The fact that the movie was released four years after the man's death, thereby missing the "nostalgia window" in which audiences might have cared enough about Jobs to want to see a movie about him, essentially means that the movie was made without audience interests in mind, which should always be the foremost concern when selling any product.

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Hollywood Blockbusters And The Art Of World Creation

Hollywood Blockbusters And The Art Of World Creation | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:


David Zax:  "San Andreas director Brad Peyton talks about how a childhood rooted in imaginative play has helped him succeed in film."

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The Oscar-winning experiments that might change the future of film

The Oscar-winning experiments that might change the future of film | Transmedia: Storytelling for the Digital Age | Scoop.it
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Fred Wagner:  "From risky new formats to digital advances, award-winning films in vogue are using different models – but will they affect the future?"

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How fairytales grew up

How fairytales grew up | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:


Marina Warner:  "With Hollywood spending millions on new versions of age-old characters, from Frozen’s Snow Queen to Cinderella, fairytales are more popular than ever. But, argues Marina Warner, they’ve had to adapt, with lots of dark twists and no more sweet, biddable girls"...

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Forget Franchises: Why 2014 Will Be Hollywood's Year of the 'Shared Universe'

Forget Franchises: Why 2014 Will Be Hollywood's Year of the 'Shared Universe' | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:


Borys Kit:  "Marvel's success with "The Avengers" prompts five studios to develop interlocking superhero movies, from Warner Bros.' "Man of Steel" sequel to Sony's "Spider-Man" expansion plan."

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How Big Data Is Rewriting Hollywood Scripts

How Big Data Is Rewriting Hollywood Scripts | Transmedia: Storytelling for the Digital Age | Scoop.it

Mark Wilson:  "Ever wonder why all movies seem to look the same? Yeah, there’s a reason."

The Digital Rocking Chair's insight:

The death of creativity or the path to box office gold?  You decide.

Apsita's curator insight, May 22, 2013 4:34 PM

C'est quoi ce film déjà?

Brad Tollefson's curator insight, May 28, 2013 11:03 PM

Wait, I resemble that remark....

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As Hollywood Shifts, Are Paradigms Colliding?

As Hollywood Shifts, Are Paradigms Colliding? | Transmedia: Storytelling for the Digital Age | Scoop.it

Zachary Wigon: "Hollywood’s appetite for adaptations, remakes and sequels is growing. But the absence of mid-budget films from lists of the world’s highest-grossing films, which has become increasingly conspicuous in recent years, indicates that Hollywood’s model is changing."

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Joss Whedon Directs the Big-Budget ‘Avengers’

Joss Whedon Directs the Big-Budget ‘Avengers’ | Transmedia: Storytelling for the Digital Age | Scoop.it
JOSS WHEDON does not consider himself an assertive person. “I’m not fierce,” he said. “I’m grouchy as hell.” But one subject that evokes the passion he has self-diagnosed as crabbiness is the decadent state of contemporary Hollywood entertainment...


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How A Toronto-Based Storytelling App Is Becoming A Hollywood Idea Factory

How A Toronto-Based Storytelling App Is Becoming A Hollywood Idea Factory | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:

 

Nicole LaPorte:  "Having established itself as a critical part of movie-marketing campaigns, Wattpad is now looking to produce its own entertainment."

Dr. Pamela Rutledge's curator insight, June 15, 2016 12:56 PM

For those of you who believed the written word was dead, not so fast!  The unending appetite for good stories and Wattpad as a vehicle for storytellers (think YouTube for readers) provides an obvious entry point for marketers who can craft compelling brand narratives.  The value of storytelling in text is that is that it lets the reader supply the visual storyworld through their imagination, instantly turning them into stakeholders.

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The Year Of The Meta-Blockbuster

The Year Of The Meta-Blockbuster | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:


Mark Wilson:  "Hollywood invented a new kind of blockbuster this year. Its vanguards? Star Wars: The Force Awakens and Jurassic World."

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What Hollywood Blockbusters Should and Shouldn't Borrow from the Golden Age of TV

What Hollywood Blockbusters Should and Shouldn't Borrow from the Golden Age of TV | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:


Indiewire:  "Never-ending stories, interconnected franchises and cliffhangers are just a few TV traits starting to pop up more and more often in film."

Pierre-André Fontaine's curator insight, July 30, 2015 6:13 PM

 

Indiewire:  "Never-ending stories, interconnected franchises and cliffhangers are just a few TV traits starting to pop up more and more often in film."

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How Hollywood Is Learning To Tell Stories In Virtual Reality

How Hollywood Is Learning To Tell Stories In Virtual Reality | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:


Mark Wilson:  "Google, Samsung, and Facebook have all invested in VR. Now they need help selling it to the public. Enter Hollywood."

Angie Weihs's curator insight, May 29, 2015 6:58 PM

I went to a UCLA conference recently, virtual reality tech seems terribly behind our amazing imagination of how it could be. Jon Landau, Avatar's producer gave us a passionate intro into the next three Avatar movies. Not virtual yet. Amazing to enter James Cameron Avatar world - one day...

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Hollywood’s addiction to franchises is reaching new extremes

Hollywood’s addiction to franchises is reaching new extremes | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:


Cecilia Kang:  "Hollywood has always loved banking on big franchises like the “James Bond” movies and “Star Wars.” But the addiction has reached new extremes."

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Virtual Reality Storytelling Is Trending in Hollywood: Felix & Paul Studios Leading the Charge

Virtual Reality Storytelling Is Trending in Hollywood: Felix & Paul Studios Leading the Charge | Transmedia: Storytelling for the Digital Age | Scoop.it
The Digital Rocking Chair's insight:


Jeff Sneider:  "Industry power players James Cameron, Steven Soderbergh and Werner Herzog are also among the growing list who are interested in exploring the budding medium"

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Man of Steel: does Hollywood need saving from superheroes?

Man of Steel: does Hollywood need saving from superheroes? | Transmedia: Storytelling for the Digital Age | Scoop.it
What started out as cheap, populist entertainment in comic book form has turned into an endless and insanely expensive parade of sexist, semi-fascist bores, says Joe Queenan
The Digital Rocking Chair's insight:

By the time I got to the end of this article, I couldn't help thinking that superheroes are to boys what the Cinderella archetype is to girls ... fascinating!

Margie's comment, July 19, 2013 7:00 AM
An amusing but revealing insight!
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For Hellboy Creator Mike Mignola, the Real Horror Is Hollywood

For Hellboy Creator Mike Mignola, the Real Horror Is Hollywood | Transmedia: Storytelling for the Digital Age | Scoop.it

Geek's Guide to the Galaxy:  "Mike Mignola is a major star in the comic book world thanks to the success of his unlikely hero Hellboy, a denizen of the underworld who fights for the side of good. The comic book’s current storyline features Hellboy battling his way through the trackless wastes of hell itself. But for Mignola, contemplating the fate of the damned comes as a welcome relief from the madness of Tinseltown."

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How Does the Film Industry Actually Make Money?

How Does the Film Industry Actually Make Money? | Transmedia: Storytelling for the Digital Age | Scoop.it

Adam Davidson: "There must be an easier way to make money. For the cost of “Men in Black 3,” for instance, the studio could have become one of the world’s largest venture-capital funds, thereby owning a piece of hundreds of promising start-ups. Instead, it purchased the rights to a piece of intellectual property, paid a fortune for a big star and has no definitive idea why its movie didn’t make a huge profit. Why is anyone in the film industry?" ...

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