Video Breakthroughs
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Video Breakthroughs
Monitoring innovations in post-production, head-end, streaming, OTT, second-screen, UHDTV, multiscreen strategies & tools
Curated by Nicolas Weil
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DRM Convergence: Interoperability between DRM Systems

2009 Master’s Thesis by Muhammad Rizwan Asghar

Nicolas Weil's insight:

Rather technical information (and still valid despite thesis release year) but a necessary one to grab this matter complexity.

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DivX Plus Streaming Approved for UltraViolet streaming

DivX Plus Streaming Approved for UltraViolet streaming | Video Breakthroughs | Scoop.it

Rovi Corp.’s DivX streaming format has been approved by the Digital Entertainment Content Ecosystem (DECE) for streaming use with UltraViolet.

 

DECE is the industry-wide consortium behind the digital locker service. The approval allows DivX Plus Streaming to be used by UltraViolet retailers to deliver over-the-top video streaming video that adjusts itself based on available bandwidth, and supports 1080p, subtitles and multiple language tracks.

Nicolas Weil's insight:

@DECE : please stop DRM simplification when reaching 12 of them...

Olivier NOEL's curator insight, January 8, 2013 11:04 AM

@DECE : please stop DRM simplification when reaching 12 of them...

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The case for a common DRM framework

The case for a common DRM framework | Video Breakthroughs | Scoop.it

It is possible to overstate the complexity of multi-screen video, but the absolute number and types of display devices are indeed increasing, which means that efforts to promote standards and greater simplicity address a live concern. A current initiative, playing out within the MPEG-DASH Industry Forum, among other places, to enable digital rights management (DRM) interoperability is a case in point.

 

Building his case for a common downloadable DRM framework that is independent of but compatible with CE devices of all shapes and sizes, Tranter (VP at NDS, now part of Cisco) names three standards that could play a foundational role, namely:

* Simulcrypt—the long-standing DVB protocol published by ETSI used to enable multiple key management systems;
* MPEG-DASH—Dynamic Adaptive Streaming over HTTP (DASH), which became an ISO standard in late 2011; and
* UltraViolet—an authentication and cloud-based rights system deployed over the past few years by a consortium of studios, manufacturers and service providers.

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Encoding.com Launches EDC Private Cloud, Targets Premium Content : Dolby Surround, Widevine DRM, UltraViolet

Encoding.com Launches EDC Private Cloud, Targets Premium Content : Dolby Surround, Widevine DRM, UltraViolet | Video Breakthroughs | Scoop.it

With EDC Private Cloud, Jeff Malkin, president of Encoding.com, says his company has solved the problem of premium content, finally bringing cloud encoding to major players. The solution includes fast and secure file ingest and upload (with partner Aspera), high-end processors, and vast storage. One key advantage is EDC Private Cloud's ability to move files quickly: Malkin says it can move files five to six times faster than Amazon can from S3 to EC2.

 

EDC Private Cloud offers Dolby Surround Sound audio, Widevine DRM, and UltraViolet compatibility.

 

Besides winning on speed, Malkin asserts that EDC Private Cloud, which uses an automated workflow, also wins on price. In its beta period, he says, it won RFPs with Synacor and Midwest Tape, turning in prices that are 20 percent of current market pricing.

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CFF: One Format to Rule Them All?

CFF: One Format to Rule Them All? | Video Breakthroughs | Scoop.it

The move towards MPEG DASH and the fragmented MP4 (fMP4) common file format may finally offer DVD-like interoperability for web video.

 

Since the early days of online video, various battles have been waged among competing video codecs and formats, but those battles were merely indicative of the larger struggle between those who support a common file format for all online video delivery and those who support proprietary formats. The most recent push for a common file format is coming from proponents of MPEG DASH, and if the standing-room-only crowd at an MPEG DASH panel at Streaming Media West earlier this month is any indication, its time may have come.

 

UltraViolet, which uses both a common file format and common encryption, is supported by six major studios and the seventy-member Digital Entertainment Content Ecosystem (DECE) as a way to deliver premium content such as movies on both physical media (discs) and online (digital downloads). As described in detail in a "What Is...?" article by Jan Ozer, MPEG DASH is a way to standardize manifests (called Media Presentation Descriptions or MPDs) that is moving through the ISO ratification process piece by piece.

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UltraViolet: Does the DECE Finally Get DRM Right?

UltraViolet: Does the DECE Finally Get DRM Right? | Video Breakthroughs | Scoop.it

The Digital Entertainment Content Ecosystem (DECE) is trying to bring together an amalgam of DRM schemes that will let consumers achieve the long-sought goal of buy once, play everywhere.

When it comes to controlled access and digital rights management (DRM), the sheer number of choices for playing online video has been overwhelming. From Adobe’s Flash Access and Apple's FairPlay to Microsoft’s PlayReady and a host of other proprietary and open source solutions, DRM has often succeeded in further fragmenting an already fragmented consumer electronics landscape.

The need for DRM is apparent, at least in the eyes of the studios and premium content owners, but so is the need for content to be played on any device at any time, at least in the eyes of the consumer who is “purchasing” a piece of digital content. Is there a way to bridge the gap between the content owner’s licensing of a piece of content for playback on a single device and the consumer’s desire to play that content just about wherever and whenever he or she wants?

The answer to that question of balance is about to get a new act in the three-ring circus of premium content creation, distribution, and consumption, as proponents of a new DRM scheme prepare to walk the tightrope again in mid-2011 with an aggregated technology known as UltraViolet.

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Motorola Mobility’s SecureMedia approved for streaming UltraViolet content

Motorola Mobility’s SecureMedia  approved for streaming UltraViolet content | Video Breakthroughs | Scoop.it

Further reinforcing the digital content ecosystem’s roster of technology support, Motorola Mobility’s SecureMedia content protection has been approved by the Digital Entertainment Content Ecosystem (DECE) for streaming UltraViolet content. Now, service providers using SecureMedia can offer subscribers ready access to their UltraViolet digital entertainment collections anytime, anywhere and on any device.


SecureMedia is extending the purchasing, collecting and sharing content in the cloud experience to consumers’ favourite connected devices by giving service providers a way to encrypt and process UltraViolet content in compliance with DECE’s specifications for streaming content protection.

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SMPTE Newswatch: DRM Drama

SMPTE Newswatch: DRM Drama | Video Breakthroughs | Scoop.it
Digital Rights Management (DRM), at its most basic level, has traditionally been considered as the strategic use of technology to monitor and enforce intellectual property licensing agreements by controlling access to digital content as it is being distributed, protecting it from unauthorized use or downright theft. In the modern world, however, the notion of "broadcasting video" now includes over-the-air terrestrial signal distribution, along with cable, satellite, Internet, and mobile/data network broadcasting of content to, seemingly, an unlimited number of viewing devices. In that universe, the DRM label represents a constantly evolving, often proprietary, network of technologies and protocols used by broadcasters to secure the links of a content chain wherever those links are heading.
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UltraViolet: Another DRM dead-end for Internet video

UltraViolet: Another DRM dead-end for Internet video | Video Breakthroughs | Scoop.it

At first glance, I thought UltraViolet was just what I needed to put my movie collection online. I was wrong.

 

UltraViolet sounded good. "UltraViolet is DVD for the Internet. Just as the DVD logo means that you can buy a DVD from any seller and expect it to play in any player with a DVD logo (DVD players, DVD PCs, DVD entertainment systems in automobiles, and so on), the UltraViolet logo means you can buy UltraViolet movies from any seller, keep track of your 'online locker' or 'virtual collection' of movies, and expect them to play on anything with the UltraViolet logo (PCs, tablets, smartphones, Blu-ray players, cable set-top boxes, and so on)."

 

Oh well, lots of things sound good at first.

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Unified Streaming Platform Roadmap

Unified Streaming Platform Roadmap | Video Breakthroughs | Scoop.it

A good overview of the major features implemented in 2011 inside USP repackaging software :

- PlayReady encryption key exchange with BuyDRM's KeyOS Smooth DRM Service

- Verimatrix iOS key exchange

- support for MPEG DASH draft specification

- Proxy support (NFS, S3, Windows Azure)


... and what's coming in 2012 :

- Selective scrambling

- Flash access DRM

- Full MPEG-DASH support

- support for UltraViolet's Common File Format, using Common Encryption

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‘Green Lantern’ Will Have an UltraViolet Hue

‘Green Lantern’ Will Have an UltraViolet Hue | Video Breakthroughs | Scoop.it

UltraViolet, the technology that enables consumers to buy a movie once and play it anywhere, is about to become a reality. Warner Home Entertainment Group confirmed Green Lantern will be the first movie released on DVD and Blu-ray to include the long-awaited UltraViolet when it hits retail on Oct. 14.

 

It’s not startling news, since Time Warner’s chairman and chief executive Jeffrey Bewkes had said in August that Green Lantern and Horrible Bosses would be the first two UltraViolet DVD releases.

 

“We believe that this could fundamentally change how people manage and watch their movie collections and it could significantly improve the value proposition of digital ownership,” Bewkes said at the time. “Remember, with UltraViolet, what will happen is, if you go and buy a physical DVD, you will have it in the cloud as you walk out of the store.”

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